From: Richard Szymczuk
Date: Tue, 25 Dec 2001 15:06:54 +1100
To: "Simon K (H)"
Subject: Locations in Geelong
G'day Kirbs,
Happy Christmas Gov!
Here's a couple of locations for us:
1. Nth Geel, (opposite Nth Geel train station)...
Hand painted sign. Late Afternoon/late evening sunlight.
2. City. Petrol Station. Near Geelong Police station.
Mid Arvo/late evening sunlight.
3. Herne Hill. Milk Bar. Arvo/late evening light.
4. East Geel. Milk Bar, Midday/early arvo light.
There might be another one or out there....'Play it by ear'
Check you then.
Dickman.
Our first day of shooting is a very
sunny Saturday. In fact, in a couple of hours, the temperature
will peak at 35° Celsius (95° Fahrenheit).
Simon Anderson (he will be photographing most of Lost Highways)
and I leave Melbourne in the late morning with a car packed
with gear and head down the Geelong Road.
An hour later, we are at the industrial outskirts of Geelong
and detour off the main road heading straight into the town's
industrial outskirts - North Shore.
We drive by and shoot numerous sights, piles of wood-chipped
Otway rainforest and the cyclone fenced borders of the Shell
Refinery and the Ford Motor Company plants.
We head into town and interviewing Dick in the loungeroom of
his South Geelong home.
Then
we began what I call an extended session of auto-pornography
- as we track & film Dick's Charger driving out to Point Henry.
Along the way we, we do an in-car interview with Dick and then
another at Point Henry, with Dick leaning against the bonnet
(the hood) of his car.
After this we visit East Geelong, where we shoot footage of
Dick outside the "Cornetto Milkbar". Watching Dick self-consciously
walk in front of the camera, I begin to understand the phrase
"Dead Man Walking". We stop shouting directions at him while
we film and this seems to help.
Cornetto Milkbar
Lost Highways
1
RS surveying
side of milkbar
2001/12/29 17:47:35
LS side
RS enters frame
surveying
|
|
Our next location is a Manifold Heights
milk bar ( a general store) that has closed down. I went to
a primary school in this neighbourhood and this is a milk bar
I used to frequent.
This is where I would go into a trance state – hypnotized by
boxes and boxes of lollies lying inside the glass counter -
"Can I have five cents of chocolate buddies, 10 cents worth
of milk bottles, a set of Teeth, and a Redskin?"
It is amusing to think that many of Dick’s subjects are actually
part of my mental backyard. Who would've thought? We get some
good footage of Dick of how he took a photo of the Milk Bar
and him describing what he was looking for.
We
then move onto the "Bad Lady" of North Geelong – some unknown
signwriter’s crude painting of a femme fatale. No doubt about
it, Dick has a strong curatorial eye for the eccentric.
We record Dick at work as he sets up. He's clearly feeling more
comfortable and he moves in an assured "done it a hundred times"
way as he sets up his tripod, lines up his camera and takes
the shot.
Damn, that Melbourne-Geelong Road is noisy at peak hour. Trucks,
trains, buses and cars. How do the locals live with it? It's
now 5:30 and we head back to Melbourne.